Author Archives: Vinyl Connection

A NICE LIE DOWN

Here’s an album cover post presenting reclining figures of various kinds: some seductive, some scary. All explore utilising the LP ‘gatefold’ to extend the field of view*. The bigger your screen, the better this gallery will look! *           * NOTES James Taylor‘s solo debut was released on Apple Records in […]

ENJOY EVERY SANDWICH

You’ve lived the rock and roll lifestyle and it’s taken a toll.  Diagnosed with terminal lung cancer and given three months to live, you decide to make an album, to soundtrack your own wake.  A last musical hurrah. Comrades heed the call. The last call.  August 2002 For Warren Zevon it is The Wind. Jorge […]

COUCH MUSIC

I was looking for a particular kind of music. The head being fuzzy and the legs a little shaky, instead of wandering around the shelves, it seemed more self-caring to let the fingers do the walking. So opening up the ever useful Vinyl Connection database, I engaged the ‘find’ function and typed in ‘music’. Surely […]

AND NOW A WORD FROM OUR SPONSORS…

SOUTH OF REALITY

Fun! Eccentricity! Experimentation! Swooshy noises! Unapologetic eclecticism! We could be talking about the wonder years of UK psychedelic pop, but we are not. Those descriptors, and more, belong to twenty-first century outfit The Claypool Lennon Delirium whose second album—South of Reality—was released in February 2019. And let it be known that this record is a […]

OVER THE MOON

Following an orbit or two behind the album cover art posts Wot Moon? and Moon Wot?, here is the final installment of the satellite series. Of course there are countless albums with the lunar noun in the title, so I’ve just plucked half-a-dozen out of the shelves based on contrasting cover art styles. Feel free […]

DREAM OF HADES

How many times have you bought the same album? I don’t mean by accident—that’s simply forgetfulness, a free giveaway from Universal Ageing Inc—but because some new and improved whiz-bang re-issue of one of your favourites has appeared. Of course there’s always a sweetener. The lure of restored artwork, a promise of revelatory sound, alternate versions, […]