Category Cover Art

SOME PROGRESSIVE TREATS (1975 EDITION)

Although variety is a hallmark of Vinyl Connection, the heart of the matter is a love of all things progressive. Inspired by a posting of the fourth Greenslade album on a fb group, I found myself diving down a 1975 rabbit hole. It was great fun, with progressive jazz-rock being a wobbly kind of through-line. […]

RAINBOW VINYL — BLUE

Coloured vinyl. Guaranteed to lift the wintertime/summertime blues. * This excellent LP from female quartet Beaches has appeared in these pages before. In fact, it was one of Vinyl Connection’s more gushing reviews. Playing it today, I was again mightily impressed with this excellent debut. * Sydney’s Sunnyboys were also on the end of a […]

RAINBOW VINYL — ORANGE

Town successfully painted red? Well it must be orange time. The Claypool Lennon Delirium is a psychedelic dosette box created by bass player extraordinaire Les Claypool and Sean Lennon. Owing much to 1960s psychedelia in general and early Pink Floyd in particular, Monolith of Phobos is a quirky delight. Arguably the magnum opus of German […]

ANOTHER COVER IN A DIFFERENT SETTING

In the holiday post a few weeks ago—Vinyl Hunter-Gatherer Goes Surfing—there was a 1971 George Benson LP of which I wrote, ‘Hoping I haven’t re-purchased it, misled by a different cover’. The brain is a funny old organ and some of the organ stops don’t work as smoothly as they once did. When the catalogue […]

ROCKIN’ ROOSTER

Rockin’ All Over The World #9 — Britain The British progressive blues-rock scene of the late 1960s and early 1970s was a fertile, swirling, multi-coloured circus. Various hybrids of rock and other styles were progressively blended (or mangled, depending on your point of view) to produce inventive albums full of delightful musical surprises. Often these […]

70 FROM ’70 — THE TOP TEN — #3

3.  MILES DAVIS — BITCHES BREW It shimmers, it growls. It moans and howls. There is glowing radiance and dirty work. With this double album—sometimes mesmerising and occasionally jolting—Miles Davis changed both jazz and popular music. Having done cool, modal and progressive (all that restlessness!), Miles and producer Teo Macero engineered this vast work from […]

70 FROM ’70—PART 2

20  VAROUS—Woodstock: Music from the Original Soundtrack & More It is sprawling, patchy, frustrating, and incomplete yet the soundtrack to the film of the event of the decade (the 60s, that is) is essential. Held in August 1969 on Max Yasgur’s dairy farm just outside of the small town of Woodstock, the actual name of […]

INCOMING [WINTER 2019 EDITION]

Having enjoyed a couple of recent posts where fellow music nuts share the, er, nuts they have gathered, I thought I’d join the party. Don’t know how it is in your neighbourhood, but in these parts the price of second-hand records has become so absurd that it is often better value buying new re-issues. Seems […]

TOMORROW AND TOMORROW

Prior to 2017’s Tomorrow Forever, the last Matthew Sweet album of original material was 2011’s Modern Art. In between was the third volume of Under The Covers, the charming series recorded by Sweet and ex-Bangle Susanna Hoffs. Matthew Sweet’s personal circumstances had changed considerably in the intervening years: he re-located away from Los Angeles to […]

YES, MR WILSON

After my first listens to Steven Wilson’s remixes of five core seventies albums from the Yes catalogue, I confess I was ambivalent. It was not easy to pin down what was preventing a full-hearted embracing of Mr Wilson’s work. Perhaps it was simply different, and I was uncomfortable with the changes to sounds I’ve enjoyed […]