Category Records

DOUBLE LIVES

SIDE I I’ve just walked out of a record shop in Mont Albert clutching the 2018 re-issue of Pink Floyd’s Pulse. Four vinyl records and a 12” x 12” hardcover book in a handsome slipcase. No flashing light on the spine but it still cost a bomb. I’m thinking, Why? Sitting on the shelves at […]

VERTICAL PURPLE

The quest to unearth further 60s vertical gatefold album covers produced many nominations of 70s covers that do indeed open up in ‘portrait’ format, but only one addition from Sixties-land. The LP was the third Deep Purple release, their self-titled record from 1969. Many thanks to Arterrorist for the reminder. I say that because the CD […]

VERTICAL HOLD

There are plenty of books on album cover art on the Vinyl Connection bookshelves, but none of them could tell me which record had the glory of being the first gatefold pop/rock album. Everyone knows Sgt Pepper was the first LP to have the song lyrics on the cover—the back, incidentally, not inside in the […]

GAMES FOR MAY?

The Commonwealth Games are a bit of an anachronism, aren’t they? Not in the games sense; it’s basically Olympic sports with a few important additions such as lawn bowls and Royal tennis and a few omissions such as curling and skate boarding. At least, that’s my understanding.  No, the oddness is the Commonwealth bit. British […]

MARS NEEDS GUITARS

It has been quite a while since there’s been an album cover post. So here is a six-pack of six-string instruments from the VC holding, each gee-tar dominating its sleeve. Few humans (or Martians) in sight (other than Robby’s disturbingly disembodied hands and the mortal remains of Mr Be-Bop). THE ALBUMS Chuck Berry – Rockit […]

COUSIN HOOKER

Earl Hooker was an unsung hero of electric blues guitar. Born near Clarksdale, Mississippi, in 1930, Earl (middle name Zebedee) moved to Chicago with his family but left home at an early age to go play music. And play he certainly did, adding his Robert Nighthawk influenced slide playing to recordings by Sonny Boy Williamson, […]

By The Time I Get To Phoenix – Isaac Hayes and the greatest chord change in history.

Originally posted on Kid Slender:
In his 2005 book, Like A Rolling Stone, Greil Marcus essays a theory that the single snare beat that introduces Dylan’s masterpiece of spleen and sarcasm opens a kind of musical Pandora’s box, paving the way for all of rock’s innovation to come, from The Beatles yea unto The Pet…