Category f) Tens [2010 – ]
TOMORROW AND TOMORROW
Prior to 2017’s Tomorrow Forever, the last Matthew Sweet album of original material was 2011’s Modern Art. In between was the third volume of Under The Covers, the charming series recorded by Sweet and ex-Bangle Susanna Hoffs. Matthew Sweet’s personal circumstances had changed considerably in the intervening years: he re-located away from Los Angeles to […]
STEVE REICH STILL HAS A PULSE
Minimalist composer Steve Reich turned 82 during 2018. (Interestingly, his musical peers Terry Riley, La Monte Young and Philip Glass all became octogenarians in the last couple of years too). So Reich has been pursuing his singular exploration of repetition and phase for a lifetime. Pulse/Quartet was released this year on the Nonesuch label. It […]
A WEEK OF ENO INSTALLATIONS — DAY 6
DAY SIX / DISC SIX Music For Future Installations I have an LP of compositions for glass harmonica. Mozart wrote several. “Unnoticed Planet”, the first piece on disc six, has clear, ringing notes hanging suspended in space. Plenty of thin air, enough to enjoy the decay of these glass-like notes. Listening to the final disc […]
A WEEK OF ENO INSTALLATIONS — DAY 5
DAY FIVE / DISC FIVE Making Space Holy beatbox Batman! I hear clicky percussion, bass; structure, barlines, time signatures… The opening track of Making Space, “Needle click”, is nothing even remotely like most people’s understanding of ambient music. Ah, but the box isn’t called ‘Ambient’, my precious, it’s called Music for Installations. So this must […]
A WEEK OF ENO INSTALLATIONS — DAY 4
DAY FOUR / DISC FOUR After a brief intermission, we continue with the second half of the series (discs 4—6) on Brian Eno’s Music For Installations. I Dormienti / Kite Stories Delicate shimmerings evoke Eno’s Thursday Afternoon (1985). Does “I Dormienti” mean “I scintillate”? But there are little ‘Ha’ moments; sounds like a processed human voice […]
A WEEK OF ENO INSTALLATIONS — DAY 3
DAY THREE / DISC THREE Lightness – Music For The Marble Palace With this (or any other) evocative title, is Eno elucidating the purpose of the project, defining the setting or evoking a mood? Or perhaps exercising his sense of mischief. Mood and fantasy blur. I’m wandering in an immense deserted palace in a Dying […]
A WEEK OF ENO INSTALLATIONS — DAY 2
DAY TWO / DISC TWO * An ambient alphabet amnesiac background calming deep environmental featureless gentle hypnotic interior jointless keyless limpid minimalist nocturnal open peaceful quiet restful soothing transparent unobtrusive vacant waveless xenial yawn zen 77 Million Paintings small celestial gongs wisps of synths tones that reverberate for so long you forget where they began […]
