Category ACROSS THE DECADES
SHOOTOUT AT THE ZEPPELIN CORRAL
Recently I read an entertaining article from the Washington Post about comparing different pressings of LPs and a chap whose life mission it is to establish the ‘best’ version.* The audiophile in question is a person of very strong opinions, and very confident in expressing them. It reminded me of the time I was asked […]
MILES’ BLUE FIRE
Revered as one of the most influential jazz albums of all time, Kind of Blue is kinda slippery to get a handle on. Not a frustrating kind of slippery like soap in the bath, nor the dodgy kind of slippery of a pub deal too good to be true; what Kind of Blue offers is […]
SEVEN YEARS OF TEN YEARS AFTER
Guitar slinger Alvin Lee had been playing for several years before the group Ten Years After coalesced just in time to get a residency at London’s famed Marquee Club in late 1966. Having fleshed out their sound by adding piano player ‘Chick’ Churchill, the band signed with Decca’s progressive Deram label on the back of […]
GET UP, STAND UP
Having celebrated the Bob Marley boxed set just recently, I thought it would be a nice follow-up to share this piece, written for Discrepancy Records. * Singing along to “Is this love” or “I shot the Sheriff”, it’s easy to forget the music of Bob Marley and the Wailers is, at the core, a revolutionary […]
SOFT MACHINE 1975 – 1978
There is so much change and restless creativity in the Soft Machine catalogue it can take quite a while to get one’s head around it. Took me years. The first two albums explode with Sixties eccentricity, mischief, and brain-pinging energy. But then there is an apparent u-turn into the sprawling, magnificent Third; an album demanding […]
1972 JAZZ — THE TOP 10
10 THE CRUSADERS — 1 Unlike Miles, The Jazz Crusaders and others in the jazz community, I was not listening to Sly and the Family Stone in the early 1970s. Fact is, I wasn’t really listening to anything other than Top 40 AM radio station 3XY on my transistor. So when, much later, I stumbled […]
1972 | A JAZZ SIX-PACK
Before the end of the 72 From ’72 series there will be a selection of my favourite jazz albums from the year in question. In the meantime, here is a somewhat random half-dozen 1972 albums that have tickled the jazz fancy over the years. * When I acquired this from Bentleigh Sewing & Records in […]
MAN FROM THE EAST
Classically trained percussionist Stomu Yamashta recorded for Island Records between 1972 and 1976, releasing seven albums of extraordinarily creative and enjoyable progressive music. With elements of formal composition, jazz-rock, electronica and progressive rock, Yamashta’s ability to fuse East and West into an intriguing and entertaining whole was remarkable. Although I have most of the Island […]
MOSE KNOWS
In the early 1970s jazz labels started to mine their back catalogues by re-issuing material repackaged for a new, younger audience. These compilations were often priced lower than a new release and provided opportunities to explore less familiar styles and artists. It was a fine idea and it worked. Well, for me, anyway. Just recently […]
BOB BOX
There have been some fantastic CD boxed sets released in the past few years. Often they are great value and can fill a hole in the collection. Well, that’s my justification. The plan is to share some of these in mid-week posts. This first artist doesn’t need any introduction at all, but I’ll reproduce the text […]
1972 COUNTDOWN — #25 – 21
25 NICK DRAKE — PINK MOON A short album of brief songs—some barely more than sketches—somehow Pink Moon has all the depth of a midnight lake. Famous for bringing posthumous fame to the songwriter after it was skilfully deployed in an American TV ad, the title song exemplifies the sparse beauty of Drake’s final album. […]
1972 COUNTDOWN — #30 – 26
30 GENTLE GIANT — OCTOPUS There’s no doubt that some progressive bands (or albums) require effort to get into. England’s Gentle Giant are one of those. With scintillating playing, complex compositional structures (featuring changes of time, key, and instrumentation) and melody lines that puzzle on first acquaintance, this is not a band that gives up […]
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