Album cover posts seem to generate great interest and enthusiasm, which is fantastic. They also tend to proliferate as further albums fitting the theme are suggested. Thanks in no small part to the memory-mining efforts of Cincinnati Babyhead (CB to his friends) we are delighted to present a second instalment in the ‘Bridges on Album […]
7 ALBUM COVERS FEATURING BRIDGES It’s quite an invention, the bridge. A method of getting from A to B without wetting your feet. Here are some album covers featuring clever bits of civil engineering. * PAUL MCCARTNEY AND WINGS — “London Town” [1978] * THE NICE — “Five Bridges” [1970] * WOODEN SHJIPS — “West” […]
The debut album by Pink Floyd was a teacup full to the brim with whimsy and swirling acid drenched psychedelia, courtesy of founding member Syd Barrett. The sad tale of Syd’s decline is well known yet remains poignant; how he simply stopped playing during concerts, becoming unreliable in both engagements and relationships. The pressure to […]
Recently I read an entertaining article from the Washington Post about comparing different pressings of LPs and a chap whose life mission it is to establish the ‘best’ version.* The audiophile in question is a person of very strong opinions, and very confident in expressing them. It reminded me of the time I was asked […]
Revered as one of the most influential jazz albums of all time, Kind of Blue is kinda slippery to get a handle on. Not a frustrating kind of slippery like soap in the bath, nor the dodgy kind of slippery of a pub deal too good to be true; what Kind of Blue offers is […]
Guitar slinger Alvin Lee had been playing for several years before the group Ten Years After coalesced just in time to get a residency at London’s famed Marquee Club in late 1966. Having fleshed out their sound by adding piano player ‘Chick’ Churchill, the band signed with Decca’s progressive Deram label on the back of […]
Having celebrated the Bob Marley boxed set just recently, I thought it would be a nice follow-up to share this piece, written for Discrepancy Records. * Singing along to “Is this love” or “I shot the Sheriff”, it’s easy to forget the music of Bob Marley and the Wailers is, at the core, a revolutionary […]
There is so much change and restless creativity in the Soft Machine catalogue it can take quite a while to get one’s head around it. Took me years. The first two albums explode with Sixties eccentricity, mischief, and brain-pinging energy. But then there is an apparent u-turn into the sprawling, magnificent Third; an album demanding […]
10 THE CRUSADERS — 1 Unlike Miles, The Jazz Crusaders and others in the jazz community, I was not listening to Sly and the Family Stone in the early 1970s. Fact is, I wasn’t really listening to anything other than Top 40 AM radio station 3XY on my transistor. So when, much later, I stumbled […]
Before the end of the 72 From ’72 series there will be a selection of my favourite jazz albums from the year in question. In the meantime, here is a somewhat random half-dozen 1972 albums that have tickled the jazz fancy over the years. * When I acquired this from Bentleigh Sewing & Records in […]
Classically trained percussionist Stomu Yamashta recorded for Island Records between 1972 and 1976, releasing seven albums of extraordinarily creative and enjoyable progressive music. With elements of formal composition, jazz-rock, electronica and progressive rock, Yamashta’s ability to fuse East and West into an intriguing and entertaining whole was remarkable. Although I have most of the Island […]
In the early 1970s jazz labels started to mine their back catalogues by re-issuing material repackaged for a new, younger audience. These compilations were often priced lower than a new release and provided opportunities to explore less familiar styles and artists. It was a fine idea and it worked. Well, for me, anyway. Just recently […]
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