Tag Archives: Music writing

FLY ME TO THE MOON

The debut album by Air is soaring towards its twenty-fifth anniversary. A big part of the reason people are still enjoying Moon Safari is its tasteful mash-up of genres. Melding lounge, electronica, chill-out, pop, even trip-hop, this charming album is friendly, accessible, and a sustained delight. The LP opens with the lounge jazz instrumental “La […]

1972 COUNTDOWN… SOME BLUES AND ROOTS

JOHN LEE HOOKER — NEVER GET OUT OF THESE BLUES ALIVE Exploring an idea he returned to with great success on The Healer (1989), John Lee Hooker invites several guests to join him on this album, including Van Morrison and Elvin Bishop. This See For Miles CD re-issue is a strange beast, including a track […]

1972 COUNTDOWN… #45 — #41

45  TULLY — SEA OF JOY Australia and beaches seem to go together. Probably something to do with being an island continent. With endless coast and hot summers come beach culture, including the beguiling but not-so-easy-to-master sport of surfing (read about the writer’s efforts here). In the early 1970s a number of iconic surfing films […]

1972 COUNTDOWN… #65 — #61

65  BRIAN CADD — BRIAN CADD There may well be a sidebar post on 1972 Australian albums at some point, but this first album by all-rounder Brian Cadd deserves a special mention. He appeared here recently as a contributor to the fabulous soundtrack Morning Of The Earth (there may be a special ’72 soundtrack post […]

THE BEVIS FROND  |  NEW RIVER HEAD

FROM 33 ⅓ SUBMISSION CHAPTER ONE — “Introduction” You are now the owner of the latest His Master’s Voice radio gramophone and you have at your command all the pleasures to be found on His Master’s Voice records. To show you how lovely modern records sound on a modern radio gramophone, here are extracts from […]

BLURRED VISION

Back in May of this year I was immersed in a project that occupied my waking hours (plus a few more besides) and left little room for other activities. The best I could manage at Vinyl Connection was a pictorial post that hinted at the topic. It was called, with coy indirectness, “What’s Going On […]

RELICS

Pink Floyd’s Relics, which came out in May 1971, was the perfect example of a record company stop-gap release. The band toured extensively in that era (the time of Atom Heart Mother) and when they did eventually make it into the studio, there were worries their rate of creating new music was far from brisk.  […]

A YEAR OF GOOD VIBES — PART 1

I was asked to recommend some good vibes albums. I swallowed the bait, though it has taken a while to haul in the net. So here is a year’s worth of music featuring that unusual member of the percussion family, the vibraphone.  For those unfamiliar with the instrument that Australian jazz legend John Sangster called […]

FILLING THE SAILS

Let’s not beat about the bush. Having a paying gig writing about music is wonderful. I respect Discrepancy Records for what they are aiming to be (a first class on-line record store) and love the way it has provided opportunities to explore different types of music writing. It’s great that even within the frantic world […]

1971—WHERE ARE WE UP TO?

Almost half-way through the year. Almost half the time allocated for this 50th anniversary survey. So how are we going with this delve into Vinyl Connection’s 1971 holding? It would appear, on the basis of the pictorial evidence above, a good start. Yet this gallery, I am crestfallen to report, displays but a quarter of […]