Tag Archives: vinyl records

ROCKIN’ ALL OVER THE WORLD #4

There will be a globe-straddling spread of ROCKIN’ ALL OVER THE WORLD posts, as promised. But right now, with the USA teetering on the brink of collapse into a terrifying Idiocracy, I’m thinking of my US friends. So Edition 4 of the series inspired by the WordPress Map Statistics (WorMS) is dedicated to anyone, anywhere, […]

TURNTABLING THRU TIME

Not long after I took up residence in my first home alone (late starter, but that’s another story); as I say, soon after moving into a modest workingman’s cottage in inner city Kensington with a collection of gifted and thrift shop furniture and some of my mother’s cast off kitchen kit, I was listening to […]

70 FROM ’70 — THE TOP TEN — #5

5. NEIL YOUNG — After The Gold Rush How did Neil’s nasal voice and the sparse country-ish feel of much of this album so capture the young man I was? Slumped under uncomfortable headphones in the Record Lounge of the Student Union Building day after day; lost, but listening. Neil’s voice is mixed way forward […]

70 FROM ’70 — THE TOP TEN — #6

6. VELVET UNDERGROUND — Loaded The idea of a polished, commercial VU record seems an oxymoron. But Loaded is both. It may not have been a chart success at the time, but over the years Loaded has gained status and regard in critical circles; Rolling Stone’s list of the best 500 albums of all time […]

70 FROM ’70 — THE TOP TEN — #8

8.  SOFT MACHINE — Third Did my brain in, this one, the first few times I listened. Blasted a hole in my expectations of rock music. Of course, that is largely because Third is not a rock record. It is a progressive jazz-rock experimental break-the-mould throw-down-the-gauntlet challenge to pop-rock ears. Kind of like a prog […]

70 FROM ’70 — THE TOP TEN — #9

9.  TRAFFIC — John Barleycorn Must Die As Steve Winwood, a rock veteran at 20 years old, started work on his first solo album, he found himself accumulating members of Traffic to help out. First came drummer Jim Capaldi, then flute and woodwind player Chris Wood. The result was an album embodying both post-WWII angst and […]

70 FROM ’70 — THE TOP TEN — #10

10 — BLACK SABBATH — Paranoid   Rolling out of the speakers like sullen thunder, the second Black Sabbath album—also their second in 1970—provides both prototype and benchmark for heavy rock. Part of the wonder and richness of this LP is the contrast. After the opening fusillade of “War Pigs” and “Paranoid” we have the […]

MASK II

Following the last post (MASK), the flow of suggestions on the theme of masks (or more generally, face coverings) on album covers was rapid and fruitful. (This is what I love about blogging). Thanks to JDB (How could I have overlooked Pink Floyd?), Victim of the Fury (Sorry about the Trower; Rainbow is brilliantly apposite), […]

MASK

Yesterday afternoon the Premier of Victoria announced that from this Wednesday at midnight, anyone leaving home for one of the four prescribed reasons (food, medicine, work/education, solo exercise) must wear a mask. All over social media, instructions sprang up on how to make your own protective face covering while shop assistants hid under their counters […]

70 FROM ’70 — PART 3

Vinyl Connection’s countdown of 1970 favourites resumes after a home-organising hiatus. Welcome back folks! #30 — #21 30  JOE COCKER — Mad Dogs and Englishmen * The throaty growl of Sheffield born Joe Cocker gave a fresh twist to his rock ’n’ soul stylings, as evidenced by his iconic set at Woodstock. Cocker’s skill was […]