Category b) Seventies [1970 – 1979]
1972 JAZZ — THE TOP 10
10 THE CRUSADERS — 1 Unlike Miles, The Jazz Crusaders and others in the jazz community, I was not listening to Sly and the Family Stone in the early 1970s. Fact is, I wasn’t really listening to anything other than Top 40 AM radio station 3XY on my transistor. So when, much later, I stumbled […]
1972 | A JAZZ SIX-PACK
Before the end of the 72 From ’72 series there will be a selection of my favourite jazz albums from the year in question. In the meantime, here is a somewhat random half-dozen 1972 albums that have tickled the jazz fancy over the years. * When I acquired this from Bentleigh Sewing & Records in […]
MAN FROM THE EAST
Classically trained percussionist Stomu Yamashta recorded for Island Records between 1972 and 1976, releasing seven albums of extraordinarily creative and enjoyable progressive music. With elements of formal composition, jazz-rock, electronica and progressive rock, Yamashta’s ability to fuse East and West into an intriguing and entertaining whole was remarkable. Although I have most of the Island […]
MOSE KNOWS
In the early 1970s jazz labels started to mine their back catalogues by re-issuing material repackaged for a new, younger audience. These compilations were often priced lower than a new release and provided opportunities to explore less familiar styles and artists. It was a fine idea and it worked. Well, for me, anyway. Just recently […]
1972 COUNTDOWN — #25 – 21
25 NICK DRAKE — PINK MOON A short album of brief songs—some barely more than sketches—somehow Pink Moon has all the depth of a midnight lake. Famous for bringing posthumous fame to the songwriter after it was skilfully deployed in an American TV ad, the title song exemplifies the sparse beauty of Drake’s final album. […]
1972 COUNTDOWN — #30 – 26
30 GENTLE GIANT — OCTOPUS There’s no doubt that some progressive bands (or albums) require effort to get into. England’s Gentle Giant are one of those. With scintillating playing, complex compositional structures (featuring changes of time, key, and instrumentation) and melody lines that puzzle on first acquaintance, this is not a band that gives up […]
1972 COUNTDOWN — #35 – 31
35 CHICAGO — LIVE IN JAPAN Coming out the year after their epic four LP set Chicago Live At Carnegie Hall, this is a far superior document of the brass-driven outfit in concert. The playing is energetic and powerful while the recording is much, much better than the tinny sound of the 1971 release. The […]
1972 COUNTDOWN — #40-36
40 PINK FLOYD — OBSCURED BY CLOUDS Falling between Meddle (1971) and Dark Side Of The Moon (1973), Pink Floyd’s soundtrack music for the Barbet Schroeder film La Vallée tends to be only ever mentioned in passing. Showing their more straight ahead rock side and capacity for focus, Obscured By Clouds is an excellent, understated record […]
1972 COUNTDOWN — THE STORY SO FAR
As a warm-up to a possible resumption of play in the 72 FROM ’72 countdown, here is a summary of the posts and albums so far. GREEN AND SUBMARINE kicked things off in mid-January. Summer Downunder is a time for thinking about beaches and oceans and spinning one of my favourite film soundtracks ever. It […]
IMAGINE NO IMAGINE
It is difficult to imagine a world without John’s song “Imagine”. From the time it appeared on the album of the same name in September 1971—and then as a single a month later—it has become an anthem and a lullaby, a protest and a non-religious prayer, a campfire sing-along and a manifesto for dreamers. It […]
WHO IS NICK LOWE?
RSD 2022 saw a welcome re-issue of power pop legend Nick Lowe’s first solo album, originally released in 1978. Filled with catchy songs evoking all the bands you would hope for—Beatles, Badfinger, Kinks—it is infectiously entertaining and great fun. But why is it called Wireless World? And why does the hype sticker mysteriously refer to it […]
STILL SHINING ON
At first glance, it looks fairly straightforward. After conquering the earth with Dark Side Of The Moon, Pink Floyd were shadowed by understandable anxiety regarding their follow-up album. Eventually, they found inspiration in the things they knew. Their own history An industry slavering at the door, demanding to be fed. The result was an album […]
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