Category ACROSS THE DECADES
THE AMAZING PUDDING
David Gilmour reflected that Atom Heart Mother, Pink Floyd’s first album of the 70s, was “us blundering about in the dark” [1, p.92]. Keyboard player Rick Wright does not remember it fondly. “Looking back it wasn’t so good” [2, p.82]. For his part, Roger Waters would prefer the suite be “thrown into the dustbin and […]
THE DAILY PLANET
Back in the 90s I enrolled in a writing course at the CAE. Confusion Anxiety and Entropy. No, sorry. That was me in the 80s. The course was with the Council of Adult Education and it was in the city one evening each week. I completed ‘Writing for the Stage’, and I finished ‘Writing Fiction’. […]
AS WE WIND ON DOWN THE ROAD – ZEPPELIN AND FOLK
This article continues a feature on the bursting forth of folk influences on Led Zeppelin III. It uses as a springboard quotes from Jimmy Page, Robert Plant and John Paul Jones and looks at albums that would have been important for the musicians as well as those released in the lead-up to the writing of material […]
BUSTLING TOWARD THE HEDGEROW: LED ZEPPELIN I – III
I – Setting out Led Zeppelin played their first gig on the 7th of September, 1968, in Denmark. The tour was a remaindered Yardbirds commitment but none-the-less a statement of intent for a new/old band with energy, commitment and stamina. They played regularly, often two sets per night, and set off on the first of […]
THE NEU! GROOVE [PART 2]
Last week Vinyl Connection introduced the self-titled debut album by the highly influential German band Neu!. The story continues… * For an unknown band releasing a first album, Neu! achieved significant success. It helped that highly respected and influential radio disc jockey John Peel was a big fan, resulting in solid sales in Great Britain […]
HELLO HALLOGALLO! [PART 1]
I cannot remember the date, but I recall the exact location where I took delivery of Julian Cope’s slim but influential paperback Krautrocksampler in Autumn 1996. There was a palpable thrill in opening the mail box near the front door at Langentalstraße 6 and finding a small parcel addressed to me. Not to Herr Schmidt […]
THE VINYL CONNECTION ANNUAL REPORT
It’s a little over a year since Vinyl Connection started adding alphabet clumps to the swirling word-clouds of the blogsphere. Fifty-three weekly posts of 1,000 words (give or take), roughly the same again of Cover Art specimens, plus a few odds and sods along the way. In these past twelve months, VC has attracted ten dozen […]
JAZZ DAY
A Mundane Day In The Life … Saved by its Jazz Soundtrack Last night I drank too much red wine. It was the wine’s fault, not mine. Rich and deep, it warmed my veins and got inside my head. This morning its oak and tannins were hanging around my system in a fuzzy sand-papery way […]
MAMA WAS A ROLLING STONE
Through much of the 70s I worked part-time (Friday nights, Saturday mornings) in a small suburban music and electrical goods shop. As mentioned previously, the eponymous owner-operator of Max Rose Electronics was a decent man making a modest income in a shopping strip with no less than four stores competing to meet the music needs […]
ERIC & THE VAN DER GRAAF GENERATOR
I The High School I attended was pretty large for the south-eastern suburbs of Melbourne. The area had been a ‘growth corridor’ for some years and its previous life as a market garden area must have lingered in air and soil as children were plentiful. There were five classes of 25 wide-eyed primary school graduates […]
ART CRIMES IN FRANKFURT
Fourteen years is a pretty long sabbatical in anybody’s language, yet that’s the elapsed time between Donald Fagen and Walter Becker winding up Steely Dan after 1980’s Gaucho and reforming the band to tour in 1994. A recording of that tour duly appeared as Alive in America which all self-respecting Dan Fans rushed out and […]
OMAR AND THE DEAD
For those who share Vinyl Connection’s love of cover art, the Album Cover Art Hall of Fame blog is worth a visit. In a recent article film-maker and long-time record collector Eric Christensen shares some of his favourite covers. One comment caught my eye. It relates to the striking 60s designs of San Francisco artists Kelley and Mouse whose iconic […]
