Tag Archives: King Crimson
COVER ART | ON THE CHAIR II
Sharing some of the spins that have been enjoyed at Vinyl Connection HQ over the past little while. Any favourites amongst these? The third LP in the ‘trilogy’ of this particular period of King Crimson. While not as startling as Discipline, it remains an under-rated album from Robert Fripp’s Jedi knights. Rick Wakeman’s solo debut […]
1971 COUNTDOWN: #10 — #8
10 KING CRIMSON — Islands Perhaps the most misunderstood album in the King Crimson catalogue, Islands signalled a change in direction for Robert Fripp’s merry band. With Keith Tippet on piano and compositions that took elements of the band’s live improvisational style into the studio, the pieces on Islands stretch and search, incorporating woodwinds and […]
WITHIN HEARING
A selection of what has been spinning at Vinyl Connection headquarters recently “Audio Diary 2014-2018” is a 5-CD set of live King Crimson, and a ripper! Full of brilliantly realised versions of KC music both vintage and newer, it is at times glorious and at others pummelling. Just the way we like it. Released in […]
ALL AT SEA
King Crimson, captained by the redoubtable Robert Fripp for well over half a century, have never been timid about re-jigging the rigging and giving the band’s back catalogue a lick of varnish. As time has passed, the offerings—aimed squarely at cashed-up Boomers—have become more lavish. But unlike some artists (or their estates… not looking at […]
1969 ARCHIVE DIVE (PART 1)
As many readers know, we love anniversaries here at Vinyl Connection, especially the ones ending with a zero. One decade, two decades, three decades, four… And of course the half century! Over the past couple of years we have featured many albums from 1967 and 1968 and reckon it’s a tradition worth continuing. But because […]
FIRST WE TAKE VIENNA
Sometimes it can feel as if contemporary versions of ‘classic’ rock outfits are more like a tribute band than the real thing. Not so with King Crimson. Years ago, Robert Fripp made the memorable pronouncement that King Crimson exists when there is King Crimson music to be played. Seems that the need has never really abated. […]
TALK, IT’S ONLY TALK
I In 1974, Robert Fripp broke up the band he co-founded in late 1968, one of the most innovative and restless to achieve widespread success. King Crimson’s final release in this period was Red, arguably one of the band’s finest and most consistent and certainly one of my favourites. II In April 1981, Sounds magazine […]
AN EDGY GENTLEMAN (2)
The delay and decay guitar experiments Robert Fripp used as the foundation for God Save The Queen / Under Heavy Manners were recorded in 1979, with the album being released in January 1980. A couple of months later, Fripp started rehearsing a new band in—according to the back cover of the subsequent album—“a 14th century […]
THE KING HAS ABDICATED (1)
It was always worth checking out Allans sales. Although determinedly mainstream and totally in thrall to the hits of the day, the music shop occasionally ordered—and got stuck with—oddities, outliers and obscurities. These ended up in the SALE bins, usually at excellent prices. I loved those sales; you could take a punt of three or […]
REARVIEW MIRROR #1
Being an multi-part wander through the Vinyl Connection year in music JANUARY On vacation you often have to settle for charity shops for your crate-digging fix. Sometimes you’ll be lucky and the local Sunday market coincides with your time in a sea-side town, but not necessarily. Even if it does, chances are the solitary box […]
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