Tag Archives: Power Pop
OPERATION COVID
Whenever I come home with yet another compilation album, the Conscience Gnome who sits on the amplifier with his little legs dangling over the volume knob shakes his head and waggles an admonishing finger. He never speaks; he doesn’t need to. Why do you do this? Back in the day, there were reasons. Not necessarily […]
HITCHCOCK CLASSIC
Pacing the house like a mangy old bear. It was a hot windy day yesterday. Today it’s cold and miserable. Welcome to Melbourne Spring, where blossom comes and goes on the whim of Aeolus. Go for a walk, instructs Ms Connection. I should. I’ve become indolent; flabby of mind and body. Getting frustrated with… everything. […]
ROCKIN’ ALL OVER THE WORLD—AUSTRALIA
SUNNY BUT OVERCAST It is a puzzle why some bands get so little attention outside their country of origin. And sometimes precious little inside it. The debut by Sydney’s Sunnyboys is an excellent example of an album that is worthy of greater regard. It would most likely thrill fans of Matthew Sweet’s more driving work […]
TROUBLED TIMES
Back in the early days of Vinyl Connection, I wrote about one of the styles of music that has given me enormous pleasure over the years: Power Pop. Jangly guitars, catchy choruses, some salt in the chocolate. The piece still reads OK, and the playlist is a good test of whether you are likely to become […]
I NEED DIRECTION
A Catholic Education Bandwagonesque Thirteen Grand Prix Songs From Northern Britain Howdy! The millennial year was a challenging one. Having formed a strong and passionate connection with a new partner, I was dismayed to hear that she was decamping to her English homeland for an indeterminate period. This was not my fantasy of how the […]
TOMORROW AND TOMORROW
Prior to 2017’s Tomorrow Forever, the last Matthew Sweet album of original material was 2011’s Modern Art. In between was the third volume of Under The Covers, the charming series recorded by Sweet and ex-Bangle Susanna Hoffs. Matthew Sweet’s personal circumstances had changed considerably in the intervening years: he re-located away from Los Angeles to […]
GOODGIRLFRIEND
After extensively shopping around the demos for his third album, Matthew Sweet finally landed a deal with Zoo, who released Girlfriend in 1991. It’s fine songcraft, scintillating guitars from Television’s Richard Lloyd and Lou Reed alumnus Robert Quine—now chiming, now gouging—and deep understanding of pop music forms made it an underground success that poked its nose […]
DIGGING THE AGE OF PLASTIC
Last Sunday, bright and early, I packed the car with six crates of records, a box of CDs, another of 45s and a sandwich and drove off to the Box Hill Record Fair. It’s something I’ve been doing fairly regularly for quite a while. About fifteen years in fact. This realization made the sunny morning […]
SIX SHOOTER ROULETTE
It’s been a busy week, with insufficient listening time and few spaces to think of an idea for the weekly Vinyl Connection post. Yet business did not preclude LP acquisition. On the pretext of needing exercise during a break in the sedentary working day, I went on a brisk 20 minute walk to Goldmine Records. And […]
SWEET MARS LANDING
Like a lot of things in life, I came late to the edgy melancholic jangle-pop world of Matthew Sweet. Stumbled across the album after the one that got him known and worked backwards to fill in the history. But although I’m slow, I’m loyal, and we have gone forward resolutely together to the extent that […]
![[RE-] LIVING IN THE SEVENTIES](https://vinylconnect.files.wordpress.com/2014/10/img_4265.jpg?resize=40%2C40){kind=small}
