Category ACROSS THE DECADES
SING A SONG IN A SHAKEY VOICE
In the late 70s, I loaned a girl a record. It was never returned. And that, I confess with equal parts shame and defiance, was the last LP I ever loaned. Books? No problem. CDs? If you have references and are of good character. Vinyl? Forget it. In psychology it is called ‘one trial learning’. […]
BACK LIVE
Having already offered two pieces on the joys of ‘live’ albums*, it would probably be sensible to leave that topic alone for a while. But I re-acquainted myself with so many terrific recordings while writing those posts that I just had to bring out those that didn’t quite make the first two ‘Live In Your […]
NOWHERE AGAIN FOR THE FIRST TIME
A brief hum of feedback echo then a scuzzy crash of drums, a squall of guitar; “First Wave Intact” is crunching the gravel of my neural driveway with a heavy, insistent tread. the open way’s too dangerous listen close, they’re watching us Welcome to the opening song on “Now Here is Nowhere”, the 2004 album […]
DIARY OF A VINYL HUNTER-GATHERER – SECOND INSTALMENT
Being a report from the arrival lounge of a hopeless music addict, with annotations. Day Three Holidays are great for Vinyl Hunter-Gatherers. First stop is Goldmine CDs & Records. Even though the used vinyl holding is much smaller than the ‘New’ section, it often comes through with a couple of interesting LPs or at least a […]
VINYL HUNTER-GATHERER GOES FORTH
In these parts the financial year begins on 1st July. A good time for fiscal resolutions and for a vinyl addict with fast diminishing storage space and finite resources to ponder stemming – or at least reducing – the flow. The original idea was to have a purchase-free month. Catch up with some listening. Cleanse […]
SEA OF JOY
My friend over the back fence invited me to come and hear his latest LP. Greg was two days older than me and we’d been playmates since our Mums met on the maternity ward. But in terms of musical sophistication, Greg was years, worlds, away from me. Not in terms of understanding how music worked; […]
THE JOYS OF MUSIC TRIVIA – or – “Oh, I know that one, it’s…”
Last Friday in Melbourne was chilly. Cold even. Not altogether surprising, it’s winter and we’ve just passed the shortest day. But there was activity in the suburbs, as Vinyl Connection presented a Live Music Trivia Quiz at one of our favourite Record Stores, Quality Records…plus. It is a lovely store, with books, DVDs and CDs […]
CSN – LONG TIME GONE BUT STILL FRESH
On 28th June 1969 the self-titled album by Crosby, Stills & Nash entered the US charts. It reached #6 and stayed around for an impressive 100 weeks. Two singles were released – Nash’s jaunty ‘Marrakesh Express’ and Stills’ extended ‘Suite: Judy Blue Eyes’ – both reaching the Top 30. So much for the data. What […]
“TRUE COLOURS” – NO LOOSE ENZ
True Colours was the fifth album by New Zealand band Split Enz. It is a lively, tuneful, sometimes edgy, sometimes melancholy pop rock treat. The album’s first single ‘I Got You’, was supremely catchy, highly successful, and written by the latest addition to the band, twenty-one year old Neil Finn. First, an executive summary of the Split […]
ANOTHER COVER IN A DIFFERENT COUNTRY
Along the broad and crowded highway of record collecting there are some fascinating diversions. One I enjoy involves albums that appear with different sleeves in different parts of the world. It is not a particular obsession of mine; I have several, but we need to know each other better for them to be revealed in […]
LIVE IN YOUR LIVING ROOM [Second Set]
Perhaps the only truly honest concert recordings are ‘bootlegs’: verbatim transcriptions of what happened on a particular night on a particular stage. Containing and disclosing all the fluctuations in energy, rambling introductions, musical missteps and extraneous noises just as they were, they truly tell it like it was. Not surprisingly, bootlegs tend to be the […]
LIVE IN YOUR LIVING ROOM [First Set]
One of the first ‘live in concert’ recordings I connected with was “Yessongs”. A sprawling preposterous triple live album with a fold-out Roger Dean cover to match, it was large canvas. The compositions of Yes were complex and structured, executed with dextrous musicianship; they needed the space. To feel the charge and brio surging through […]
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