Category Particular platters
ALL HOPPED UP AND READY TO GO
Part of the energizing outré CBGBs scene in mid-70s New York, the Ramones story is well known. How a lanky outsider by the name of Jeffrey Hyman linked up with Douglas Colvin and Johnny Cummings to form a three-piece called Ramones. Band manager Thomas Erdelyi recalled ‘they were terrible. It was the worst thing I’ve […]
OF FLEAS AND FAUST
Like a down-market department store for heads and hippies, Goesunder Flea Market in the heart of Melbourne’s retail district was the unlikely venue for an import record shop, yet that is where I first encountered Krautrock. It was my first year at the university, a 15 minute walk north of the city centre. I was […]
A BRAND NEW DANCE
Scary Monsters (and Super Creeps) was released in the second week of September 1980. Preceded by the hugely successful single ‘Ashes to Ashes’, Scary Monsters hit #1 on the UK album charts on 27th September. It also made #1 in Australia and peaked just outside the Top 10 in the US. Bowie’s fourteenth studio album […]
CLOSE TO PERFECTION
CONTEXT Just in case it isn’t immediately obvious, music is a passion and hobby here at Vinyl Connection. There are several thousand titles in the collection and no imminent danger of a growth plateau. [Picture here, if you will, the crestfallen expression on Ms Connection’s face.] Close to the Edge sits high on my list […]
THE WELSH CONNECTION
ONE Driving to lunch last week, the in-car entertainment was provided by Gorky’s Zygotic Mynci, the fabulously named Welsh band (b: 1991, d: 2006) recently featured by Mr 1537. It was the first album; a collection of EP material that – whilst not having the polish of later releases – shows their quirky creativity and […]
SING A SONG IN A SHAKEY VOICE
In the late 70s, I loaned a girl a record. It was never returned. And that, I confess with equal parts shame and defiance, was the last LP I ever loaned. Books? No problem. CDs? If you have references and are of good character. Vinyl? Forget it. In psychology it is called ‘one trial learning’. […]
BACK LIVE
Having already offered two pieces on the joys of ‘live’ albums*, it would probably be sensible to leave that topic alone for a while. But I re-acquainted myself with so many terrific recordings while writing those posts that I just had to bring out those that didn’t quite make the first two ‘Live In Your […]
NOWHERE AGAIN FOR THE FIRST TIME
A brief hum of feedback echo then a scuzzy crash of drums, a squall of guitar; “First Wave Intact” is crunching the gravel of my neural driveway with a heavy, insistent tread. the open way’s too dangerous listen close, they’re watching us Welcome to the opening song on “Now Here is Nowhere”, the 2004 album […]
SEA OF JOY
My friend over the back fence invited me to come and hear his latest LP. Greg was two days older than me and we’d been playmates since our Mums met on the maternity ward. But in terms of musical sophistication, Greg was years, worlds, away from me. Not in terms of understanding how music worked; […]
CSN – LONG TIME GONE BUT STILL FRESH
On 28th June 1969 the self-titled album by Crosby, Stills & Nash entered the US charts. It reached #6 and stayed around for an impressive 100 weeks. Two singles were released – Nash’s jaunty ‘Marrakesh Express’ and Stills’ extended ‘Suite: Judy Blue Eyes’ – both reaching the Top 30. So much for the data. What […]
“TRUE COLOURS” – NO LOOSE ENZ
True Colours was the fifth album by New Zealand band Split Enz. It is a lively, tuneful, sometimes edgy, sometimes melancholy pop rock treat. The album’s first single ‘I Got You’, was supremely catchy, highly successful, and written by the latest addition to the band, twenty-one year old Neil Finn. First, an executive summary of the Split […]
LIVE IN YOUR LIVING ROOM [Second Set]
Perhaps the only truly honest concert recordings are ‘bootlegs’: verbatim transcriptions of what happened on a particular night on a particular stage. Containing and disclosing all the fluctuations in energy, rambling introductions, musical missteps and extraneous noises just as they were, they truly tell it like it was. Not surprisingly, bootlegs tend to be the […]
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