Category Jazz & Jazz-Rock
AN EVENING WITH HERBIE HANCOCK AND CHICK COREA, MAY 2015
The Melbourne International Jazz Festival began in 1998, co-incidentally the year that the Ms Connection/Vinyl Connection international festival kicked off too. Seventeen years on, both are still going strong though artists in both arenas seem to be a touch more, er, mature. Seasoned. Venerable. Ah shit. We’re all older. Nevertheless, when we noticed that the […]
SOCKSY BEAST
When I picked up Tightly Knit in one of my favourite Melbourne record haunts recently a fellow browser said, rather cheekily I thought, “That is one of your earlier records, I expect.” Taken slightly aback, it took me a moment to realise that he was referring to the cover art and the similarity in head […]
KEITH IN KÖLN
A gentle four note phrase hovers, a small colourful bird on the wing, leading, beckoning, from bush to branch. It is still, early, a breath of dew on the lawn where lines of cut grass betray yesterday’s mowing. The bird trills as the light brightens, slowly at first. The melody becomes more insistent. Then the […]
NOT SUCH A COOL YULE
The first half of 1977 was spent sitting in my room. It wasn’t locked; I just couldn’t find many reasons for leaving. Other than one friendly human being, companionship came in the form of books and records. The small but diverse vinyl collection included a selection of the popular progressive music of the day, some […]
YOU’LL NEVER COME BACK
I was thrown out of Melbourne’s signature university at the end of 1976, having accumulated an impressive collection of ‘F’ grades. That’s not ‘F for Fail’ – though it certainly is well below the plimsoll line of the good ship Pass Mark – but the F at the end of the series A – B […]
MATI AND THE MUSIC [PART TWO]
This article is the second part of a feature on the album covers of artist Mati Klarwein. The first part is entitled More Than Abraxas. The life of a peripatetic artist is one of change and blending influences. Mati was a great traveller and enthusiastically soaked up images of culture and mythology from the many countries […]
NICE SAMPLE, JOE
Sunday was a lovely day in Melbourne. A little early haze then some Spring sunshine. We played family football in the park – soccer and Aussie rules as befits a child of mixed parentage – then back home for lunch on the back veranda. For the first time since Winter, I opened the window and […]
TIME OUT IN PLEASANTVILLE
A couple of evenings ago Ms Connection and I wanted to collapse onto the couch for a bit of screen time togetherness. As it was a week-night and we’ve found that anything too exciting disrupts fragile sleep patterns, it was agreed that something gentle and preferably funny was the order of the night. So I […]
STITCHING TOGETHER JAZZ, ROCK AND FUNK
When Miles Davis went electric at the end of the 60s he may not have actually ‘invented’ jazz-rock (or fusion, if you prefer) but he certainly plugged some serious voltage into it. What’s more, the musicians who played on the seminal Miles albums In a Silent Way (1969), Bitches Brew (1970), and Jack Johnson (1971) […]
JAZZ DAY
A Mundane Day In The Life … Saved by its Jazz Soundtrack Last night I drank too much red wine. It was the wine’s fault, not mine. Rich and deep, it warmed my veins and got inside my head. This morning its oak and tannins were hanging around my system in a fuzzy sand-papery way […]
ART CRIMES IN FRANKFURT
Fourteen years is a pretty long sabbatical in anybody’s language, yet that’s the elapsed time between Donald Fagen and Walter Becker winding up Steely Dan after 1980’s Gaucho and reforming the band to tour in 1994. A recording of that tour duly appeared as Alive in America which all self-respecting Dan Fans rushed out and […]
LADIES AND GENTLEMEN…
Carlos Santana was rather busy in 1973. Early in the year he got together with British master-guitarist John McLaughlin to continue working on the exciting, spiritual music that appeared on the under-appreciated Love Devotion and Surrender. To celebrate the end of recording they went out to buy a snappy white suit which the cover shot suggests that […]
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