Category GENRE SPECIFIC

A MENTAL FOIBLE

It’s an album that looks both forward and backwards yet is entirely of its time. Infused with a spirit of exploration, it manages to sound uncertain and confused. A new player is feeling his way while the ghost of a departed leader haunts every groove. Flashback… Pink Floyd manager Peter Jenner was convinced Syd Barrett […]

COUSIN HOOKER

Earl Hooker was an unsung hero of electric blues guitar. Born near Clarksdale, Mississippi, in 1930, Earl (middle name Zebedee) moved to Chicago with his family but left home at an early age to go play music. And play he certainly did, adding his Robert Nighthawk influenced slide playing to recordings by Sonny Boy Williamson, […]

WORLD RECORD AUSSIE CHRISTMAS

Friends of Vinyl Connection will know of the interest we have in the Australian World Record Club for its marvellous album cover designs of the sixties and early seventies. I want to share with you one of my favourites, acquired recently from Mrs Helen Cameron of Keilor Park (via my local Op Shop). Picking up […]

HOT DOG!

My first job in tertiary Student Services was at an Institute of Technology in the industrial inner-west of Melbourne. The institution was, in all truth, more interesting than my job. But the team was diverse and lively, and it was here I first entertained the notion of becoming a counsellor. It would mean more study, […]

POWER PLANT BACK ON LINE

Are you onboard with Kraftwerk? The Deutsche electronic music pioneers are far better known now than when they created their definitive romantic/ascetic albums in the seventies. In fact a halo of electronic divinity now surrounds a band whose membership grew then shrunk and at one point even toured a set of robotic dummies instead of […]

TEN FROM 77 – 5 / OUTLIERS

In the penultimate instalment of the Ten From ’77 series we have five albums whose only commonality is their position on the edge (or in some cases, way outside) the domain of pop music. At Vinyl Connection, forays into lesser known territories are infrequent, yet it is off the well-trodden path that most of my […]

TEN FROM 77 – 4 / FUSION FIVE

10  Steve Khan — Tightrope I first encountered Steve Khan’s name in the credits for other artists… Steely Dan, Michael Franks, The Brecker Brothers… this was clearly an in-demand guitarist of great talent. So when I found the first album under his own name, it was not at all difficult to take a punt. Opening […]

TEN FROM 77 – 3 / ELECTRONIC – 2

Continuing (and concluding) a rather indulgent journey through albums released in 1977 broadly falling into the ‘electronic’ category. Having covered 10 – 6, here are the Top 5. 5  Jürgen Karg — Elektronische Mythen Herr Karg played bass with jazz experimentalist Wolfgang Dauner on a (semi-) legendary 1969 recording. Eight years later he released his […]

TEN FROM 77 – 2 / ELECTRONIC – 1

It seemed a fine idea to whip up a list of favourite 1977 releases; a straightforward, accessible and hopefully entertaining article. Things started well enough, with the first post of rock-pop albums eliciting plenty of commentary as people compared their own choices to the Vinyl Connection offering. But there was such variety in the VC […]

I LOVE MILES

(BUT NOT ALL HIS BOOTS) I love Miles Davis. Whether as a contributing midwife to the Birth of the Cool, the ultra-hip trumpeter of the late 50s, the restless innovator of the 60s, or inspiring bandleader and outta-space musician of the 70s, his is an endlessly varied—and indeed endless—catalogue. If you are browsing a shop […]

CIMMERIAN CLASSIC

Prior to an overseas trip in the early nineties, I hosted a Book Party. The goals were threefold: to reduce the amount of stuff I needed to put into storage, see people for a farewell drink and chat, and perhaps raise a few shekels for the travel fund. So I put the word out, mentioning […]

TIMELESS

I remember where but not which. The shop was in Princes Gate Arcade, down the end in a kind of cul-de-sac where only record hunters and lost commuters ended up. I remember a big window, counter, racks—sparsely distributed around a loungeroom-sized space—and bean bags where you could audition an LP of your choice under headphones […]