Category Particular platters
LUCKY MAN
From the woozy fanfare opening ‘The Barbarian’ to the final swooping moog solo panning between the speakers at the end of ‘Lucky Man’, via the stroked grand piano strings of ‘Take a Pebble’ and the dystopian drama of ‘Knife Edge’, I know the first Emerson Lake and Palmer album very well indeed. But it wasn’t […]
EXAMPLE 22 – ALBUM REVIEW
After sending off my questions to Nick Saloman, I continued listening to Example 22, the new Bevis Frond album, and wrote a tight three-hundred word review to follow up the interview. How organised was that? Assuming Nick came through (which he did, entertainingly and with astonishing promptness) I’d have a feature and a follow-up post in […]
EXAMPLE 22 – AN INTERVIEW WITH NICK SALOMAN
A new Bevis Frond album is cause for celebration. So when Example 22 arrived in the post recently, there was a surge of excitement in Vinyl Connection land. Surfing a wave of Bevis energy, I contacted the band’s founder and enduring mainspring about an interview and was delighted by his prompt acceptance. What follows, then, […]
MULTI-COLOUR OF THE RAINBOLD
An opening electric guitar chord, solo-strummed, then the drums and bass kick in. It is a simple, powerful rhythm that is instantly inviting and enveloping. If it was a concert, you’d be on your feet already. You could sway to this intoxicating rhythm forever, but Steve Marriot’s voice enters, There’s wheat in the field […]
VERY FROND
Over a decade ago my friend BB introduced me to The Bevis Frond. This was both a blessing and a curse. The blessing part was simple: enjoying Nick Saloman’s psychedelic-infused, guitar-driven songs has been no chore at all. In fact, my respect for his extensive songbook has grown steadily over the years. Which leads us […]
LISTENER’S DIGEST #2: YOUNG, FOCUS, SEA AND CAKE, TPOTUSA, SCHOENBERG
Having been doing the single parent thing for well over a day now, our appreciation of Ms Connection’s contribution to the good life at chez Vinyl Connection is shooting up the charts with a bullet. Amongst the chores, errands, boy-wrangling and general infrastructure maintenance there has, nevertheless, been space for spinning a few discs. Here are […]
SONG TO ODYSSEUS
I We tended to play Dungeons and Dragons without music in the background. Distractions could be dangerous — while you were tuning in to Bauhaus or Tangerine Dream, the chances were you’d get smeared by a troll or jumped by some pesky hobbit thief. But during the refreshment breaks (food, drink, mind altering substances, as […]
YOU SCROOGE, YOU LOSE
Having had a crack at describing categories of record collectors (called Vinyl Hunter-Gatherers around these parts), this post continues looking at further case studies, your correspondent once again being the mandated patient. Sorry, that should read ‘volunteer’. Enthusiast (B): ‘Excellent — a very satisfying find. Wonder if I can swing a discount’. Chicago — Live […]
EARTH AND MOON
Sometimes reading blogs can be expensive: you read, you like, you must have… the purchase is a direct result of reading a particular post. Other times, I’ve noted indirect references to an artist rated highly by the writer and somehow added a pencil note to the old cerebral cortex. An example is the band Earth, alluded […]
DIGGING
TOWARDS A TYPOLOGY OF VINYL HUNTER-GATHERERS While admiring the melodic pop savvy of Paul McCartney, I’ve never felt compelled to follow his solo career that closely. I was always a Lennon man. Yet you cannot help picking up info and vibes about an album —a magazine article here, an on-line mention there— which eventually resulted […]
DEACON DAN
Over the past two-and-a-half years, Vinyl Connection has avoided writing about many of its long-term favourite albums. How to put the love into words? Can something fresh be discovered? Steely Dan’s sixth album is a case in point. It has long been a favourite —as seen in those troublesome ‘Best’ lists— yet I have baulked […]
’77 JAZZ FUNK STRIP
Jazz has nearly as many sub-genres as metal, and that is really saying something. Having stumbled across the jazz-funk of The Crusaders in the early 80s, I began exploring this laid-back but groovy territory, finding it an enjoyable late-night adjunct to the frantic fusion I’d been fuel-injecting for nearly a decade. So I accumulated albums […]
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