Tag Archives: album reviews
DUNE, CHAPTER FOUR
This Dune music series is longer than a deep desert worm. That odd opening sentence might cause some to wonder about a book producing such a welter of creative musical responses. How could Dune be described? Dune. The planet Arrakis. No rain but plenty of sand. What, though, is Frank Herbert’s novel about? Power and politics […]
DUNE, CHAPTER THREE
“Another Klaus Encounter” In an article a few months back, Vinyl Connection dipped into the massive Klaus Schulze catalogue for the first time (here). One of the reasons it took so long to write about this key electronic artist was the sheer quantity of high-class albums Herr Schulze has produced since his 1972 debut. Fortunately, […]
DUNE, CHAPTER ONE
Have you ever gone on a bender? Not an over-imbibing, CH3-CH2-CH2-OH-God-Where-Did-That-Stethoscope-Come-From escapade, but the pop-cultural kind. Where you discover—or re-discover—an author and simply must immerse yourself in their world. So it was with your correspondent and Frank Herbert’s Dune, sometime last year. It went like this… I’d been listening to X, the tenth album by […]
DARK SIDE OF THE MOOMIN
Having had a less than stellar university career the first time around, it would be fair to say I was a little nervous about returning to higher education a mere three years after having been shown the door. Trepidation notwithstanding, back I toddled for another crack, this time via the Creative Arts stream in an […]
YOUNG AND FRESH
First albums by bands are always interesting, though not necessarily essential. Sometimes the artist is feeling their way, often the vision is a work-in-progress, occasionally it’s “All Change!” after the first effort. The two 1968 debuts we’re looking at in this post cover most of the bases mentioned above. Both are worthy of attention; both […]
DADDY, WHERE DID PROG COME FROM?
Released in November 1968, Ars Longa Vita Brevis was the second album by The Nice. Their first, 1967’s The Thoughts of Emerlist Davjack, has some classic psychedelic songs (“Flower King of Flies” is a personal fave) and clear progressive characteristics, exemplified by Keith Emerson’s keyboard work on “Rondo”, but you could not call it a […]
VERTICAL HOLD
There are plenty of books on album cover art on the Vinyl Connection bookshelves, but none of them could tell me which record had the glory of being the first gatefold pop/rock album. Everyone knows Sgt Pepper was the first LP to have the song lyrics on the cover—the back, incidentally, not inside in the […]
ANOTHER DAYBREAK (ART ON YOUR SLEEVE #4.1)
In a recent post, blog friend JDB of Augenblick introduced the famous Maxfield Parrish painting ‘Daybreak’ and we looked at a 1984 record by Dali’s Car that borrowed it for the cover. Here are two further eighties album covers inspired by Parrish’s iconic painting. BOBBY WOMACK — SO MANY RIVERS [1985] Bobby Womack was a […]
DANNY’S BLUES
With the recent passing of guitarist Danny Kirwan, I’m re-posting an edited version of a survey of the early 70s Fleetwood Mac albums, including—indeed, highlighting—those that feature Mr Kirwan. * By the beginning of the 70s, Green had left Fleetwood Mac. This was widely considered a damn shame, as the mercurial guitarist was the central […]
ART ON YOUR SLEEVE #4 − “DAYBREAK”
Some time back (2015, actually), Vinyl Connection was delighted to have fellow blogger JDB of Augenblick contribute to a series about fine art on album covers called Art On Your Sleeve. After something of a hiatus, we’re back with edition #4 and the world’s most famous poster. (No, not the one of the girl tennis […]
KLAUS ENCOUNTERS
Berlin native Klaus Schulze formed his first band—Psy Free—in 1967. He was part of the birth of Tangerine Dream, playing on their debut Electronic Meditation, joined Manuel Göttsching in Ash Ra Temple for a while, and was an important part of the Cosmic Couriers team. Although revered for his role as a major innovator and […]
V (2) ASTRONOMER
SIDE ONE Most of the discography of Johannes Kepler was produced in the early sixteen hundreds. His first producer, Prince Hans Ulrich von Eggenberg, helped him move beyond teaching to become a major player in the scientific revolution of the 17th-century. Kepler’s early genre was mathcore, though he dabbled in spiritual jazz (astrology) and progressive […]
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