Tag Archives: Eno

A WEEK OF ENO INSTALLATIONS — DAY 6

DAY SIX / DISC SIX Music For Future Installations I have an LP of compositions for glass harmonica. Mozart wrote several. “Unnoticed Planet”, the first piece on disc six, has clear, ringing notes hanging suspended in space. Plenty of thin air, enough to enjoy the decay of these glass-like notes. Listening to the final disc […]

A WEEK OF ENO INSTALLATIONS — DAY 4

DAY FOUR / DISC FOUR After a brief intermission, we continue with the second half of the series (discs 4—6) on Brian Eno’s Music For Installations. I Dormienti / Kite Stories Delicate shimmerings evoke Eno’s Thursday Afternoon (1985). Does “I Dormienti” mean “I scintillate”? But there are little ‘Ha’ moments; sounds like a processed human voice […]

A WEEK OF ENO INSTALLATIONS — DAY 3

DAY THREE / DISC THREE Lightness – Music For The Marble Palace With this (or any other) evocative title, is Eno elucidating the purpose of the project, defining the setting or evoking a mood? Or perhaps exercising his sense of mischief. Mood and fantasy blur.  I’m wandering in an immense deserted palace in a Dying […]

A WEEK OF ENO INSTALLATIONS — DAY 2

DAY TWO / DISC TWO * An ambient alphabet amnesiac background calming deep environmental featureless gentle hypnotic interior jointless keyless limpid minimalist nocturnal open peaceful quiet restful soothing transparent unobtrusive vacant waveless xenial yawn zen 77 Million Paintings small celestial gongs wisps of synths tones that reverberate for so long you forget where they began […]

TEN FROM 77 – 5 / OUTLIERS

In the penultimate instalment of the Ten From ’77 series we have five albums whose only commonality is their position on the edge (or in some cases, way outside) the domain of pop music. At Vinyl Connection, forays into lesser known territories are infrequent, yet it is off the well-trodden path that most of my […]

LASTING FIRSTS

Debut albums are a bit special. Often the result of a long gestation period that may well have begun in someone’s teenage bedroom, there is an exuberance and excitement to a first offering that combines confidence (“Look at me! Listen to my music!”) and nervousness (“Is it OK? Will anyone like me?”). Over the life of […]

GUITARISSIMO

Who am I? I was born in London in 1951. My Father was a diplomat. As a result, I grew up all over Latin America. Guitar is my instrument. The first band I was in was called Pooh And The Ostrich Feathers. For the world of performance I chose my Columbian Mother’s surname over my […]

ENO ON THE BEACH

On the Vinyl Connection coffee table is On Some Faraway Beach, David Sheppard’s 2008 biography of Brian Eno. It is a substantial and thoroughly researched tome covering the birth, growth, education and unfolding of non-musician Brian Peter George Jean-Baptiste de la Salle Eno. Sheppard even demystifies the preposterous name. Now Mr Eno is a most interesting […]

LIVE IN YOUR LIVING ROOM [Second Set]

Perhaps the only truly honest concert recordings are ‘bootlegs’: verbatim transcriptions of what happened on a particular night on a particular stage. Containing and disclosing all the fluctuations in energy, rambling introductions, musical missteps and extraneous noises just as they were, they truly tell it like it was. Not surprisingly, bootlegs tend to be the […]