Tag Archives: music reviews

FEBRUARY 1971 — PART ONE

We’re running late, by about two months, so let’s get into it. * FEBRUARY 1971 ALBUM RELEASES Simply the most infectious collection of straight-ahead electric boogie that you’ll ever hear. John Lee was a savvy veteran by the early 1970s, he’d witnessed the surge in interest following the British blues boom of the early 1960s […]

HAVE SPACESUIT—WILL TRAVEL

Ordering a book from the dreaded ‘Big River’ company, I was lured by the ‘on your list’ bait and, of course, bit. The item was a CD I’d removed from an order months ago, something that had caught my attention but not fully hooked me in. On a whim, I added it to the cart; […]

HITCHCOCK CLASSIC

Pacing the house like a mangy old bear. It was a hot windy day yesterday. Today it’s cold and  miserable. Welcome to Melbourne Spring, where blossom comes and goes on the whim of Aeolus. Go for a walk, instructs Ms Connection. I should. I’ve become indolent; flabby of mind and body. Getting frustrated with… everything. […]

BACK TO THE PAVILION

You are a young guitarist, talented and hard-working, and join a band of school mates. It’s 1967 and everyone is forming bands, so why not? And this one has promise, it records a debut album in 1969 that is well-regarded but doesn’t sell a whole lot, possibly because of its biblical title or maybe because […]

INSIDE

A while back, in response to what I perceived as heinous omissions from a well-known book, I began compiling a list of “101 More Albums You Must Hear Before You Die”. I thought this addendum could provide a focus for occasional Vinyl Connection posts. Sadly, the project stalled, largely because I couldn’t get the list […]

HAVE YOU EVER BEEN TO ELECTRIC LADYLAND?

The third and final Jimi Hendrix Experience album, the double Electric Ladyland, was released in October 1968. For me it is the greatest of his studio career. It would also be the last studio release in his lifetime, and see the breakup of the Experience. More: the album marked the departure of bassist Noel Redding […]

ALL THINGS MUST PASS

In Australia we did not get the impressive boxed version of All Things Must Pass. Our version was a three-panel gatefold sleeve with the lyrics printed inside. We did get the poster, though. A dark  3’ x 2’ portrait of a morose, hairy George. But our flimsy fold-out was disappointing. The box had solidity, gravitas. […]

A WEEK OF ENO INSTALLATIONS — DAY 6

DAY SIX / DISC SIX Music For Future Installations I have an LP of compositions for glass harmonica. Mozart wrote several. “Unnoticed Planet”, the first piece on disc six, has clear, ringing notes hanging suspended in space. Plenty of thin air, enough to enjoy the decay of these glass-like notes. Listening to the final disc […]

A WEEK OF ENO INSTALLATIONS — DAY 5

DAY FIVE / DISC FIVE Making Space  Holy beatbox Batman! I hear clicky percussion, bass; structure, barlines, time signatures…  The opening track of Making Space, “Needle click”, is nothing even remotely like most people’s understanding of ambient music. Ah, but the box isn’t called ‘Ambient’, my precious, it’s called Music for Installations. So this must […]

A WEEK OF ENO INSTALLATIONS — DAY 4

DAY FOUR / DISC FOUR After a brief intermission, we continue with the second half of the series (discs 4—6) on Brian Eno’s Music For Installations. I Dormienti / Kite Stories Delicate shimmerings evoke Eno’s Thursday Afternoon (1985). Does “I Dormienti” mean “I scintillate”? But there are little ‘Ha’ moments; sounds like a processed human voice […]