Author Archives: Vinyl Connection
VERTICAL RETURN
We’re back with the vertical gatefold sleeves for a couple more instalments. This should not be construed as an attempt to show every specimen, but simply present further examples that have caught this record collector’s eye. First off we have a very recent addition to the genus. Bob Masse is a legendary Canadian-born artist and […]
TALK, IT’S ONLY TALK
I In 1974, Robert Fripp broke up the band he co-founded in late 1968, one of the most innovative and restless to achieve widespread success. King Crimson’s final release in this period was Red, arguably one of the band’s finest and most consistent and certainly one of my favourites. II In April 1981, Sounds magazine […]
PICKING BY THE BUSHEL
Oh Joy is Me! Oh Woe is Me! I’ve Harvested A CD Tree* – *And more… A DVD Or Three. * Feel free to ask “Why?” about any of the above. I’d be curious to see whether I have answers other than ‘feeding frenzy’. * Apologies for the photo quality. Such was my haste to […]
AN EDGY GENTLEMAN (2)
The delay and decay guitar experiments Robert Fripp used as the foundation for God Save The Queen / Under Heavy Manners were recorded in 1979, with the album being released in January 1980. A couple of months later, Fripp started rehearsing a new band in—according to the back cover of the subsequent album—“a 14th century […]
THE KING HAS ABDICATED (1)
It was always worth checking out Allans sales. Although determinedly mainstream and totally in thrall to the hits of the day, the music shop occasionally ordered—and got stuck with—oddities, outliers and obscurities. These ended up in the SALE bins, usually at excellent prices. I loved those sales; you could take a punt of three or […]
ALBUM COVER QUIZ—THE NAUGHTIES
Continuing the ‘Decade’ theme, this is the millennial edition of the album cover quiz — with a twist. The general consensus was that the all-eighties quiz was too difficult, so this is a variant. Ten of the albums are from the period 2000–2009, the other five are not.* The setup and rules are the same: […]
DOUBLE LIVES
SIDE I I’ve just walked out of a record shop in Mont Albert clutching the 2018 re-issue of Pink Floyd’s Pulse. Four vinyl records and a 12” x 12” hardcover book in a handsome slipcase. No flashing light on the spine but it still cost a bomb. I’m thinking, Why? Sitting on the shelves at […]
VERTICAL VOYEUR
This next instalment in the ‘vertical gatefold’ series brings together a varied collection of LP covers that feature, um, bodies. A progression from Buffalo’s body parts, you might say, though each is a little challenging or even risqué in its own way. First up is a double album of the Velvet Underground recorded live in […]
ERUPTION DOWNUNDER
As has been related elsewhere, I met Black Sabbath, Uriah Heep and assorted seventies noise-makers in Rod Amberton’s bedroom. I also encountered a band less well-known outside these sunburned shores: the hard riffing Sydney band, Buffalo. Buffalo’s first two albums were popular amongst teenage boys of a certain age, and although I managed to find […]
VERTICAL PURPLE
The quest to unearth further 60s vertical gatefold album covers produced many nominations of 70s covers that do indeed open up in ‘portrait’ format, but only one addition from Sixties-land. The LP was the third Deep Purple release, their self-titled record from 1969. Many thanks to Arterrorist for the reminder. I say that because the CD […]
VERTICAL HOLD
There are plenty of books on album cover art on the Vinyl Connection bookshelves, but none of them could tell me which record had the glory of being the first gatefold pop/rock album. Everyone knows Sgt Pepper was the first LP to have the song lyrics on the cover—the back, incidentally, not inside in the […]
ANOTHER DAYBREAK (ART ON YOUR SLEEVE #4.1)
In a recent post, blog friend JDB of Augenblick introduced the famous Maxfield Parrish painting ‘Daybreak’ and we looked at a 1984 record by Dali’s Car that borrowed it for the cover. Here are two further eighties album covers inspired by Parrish’s iconic painting. BOBBY WOMACK — SO MANY RIVERS [1985] Bobby Womack was a […]
