Category Particular platters
GOING INSIDE
When it comes to choosing albums to write about, I’ve noticed a few trends. One—previously mentioned—is the difficulty in writing about a really special, favourite record. Something about the meaning, the importance, the desire to communicate the specialness; these somehow inhibit my fingers. At the other end of the spectrum are those artists only known […]
MARS ATTACKS!
There is a wind-up alien on the cover. The title is Attack Of The Martians. No record label; it was self-produced in 2004. Eccentric Orbit is the name of the band. They come from planet Synth. This intriguing CD was part of a recent haul, a whim-purchase based on half the quartet playing electric […]
DON’T NEED NO TICKET
After a breakthrough year in 1967, Aretha Franklin surged into 1968 with Lady Soul, a flat-out classic that hit the shelves in January of that year. Aretha had a way of making a song her own. Didn’t matter who wrote it—male/female, black/white, pop/R&B—made no difference to the Queen of Soul. When Aretha sang a song […]
TOOTH TRAFFIC
Last year I bit off more than I could chew. A brave, but ultimately foolhardy attempt was made to cover all the 1967 albums stored in the Vinyl Connection larder. A couple of dozen LPs made it to the fifty-year table; a very modest selection from the potential number of courses. Some sense of failure […]
YES, MR WILSON
After my first listens to Steven Wilson’s remixes of five core seventies albums from the Yes catalogue, I confess I was ambivalent. It was not easy to pin down what was preventing a full-hearted embracing of Mr Wilson’s work. Perhaps it was simply different, and I was uncomfortable with the changes to sounds I’ve enjoyed […]
VERTICAL RETURN
We’re back with the vertical gatefold sleeves for a couple more instalments. This should not be construed as an attempt to show every specimen, but simply present further examples that have caught this record collector’s eye. First off we have a very recent addition to the genus. Bob Masse is a legendary Canadian-born artist and […]
TALK, IT’S ONLY TALK
I In 1974, Robert Fripp broke up the band he co-founded in late 1968, one of the most innovative and restless to achieve widespread success. King Crimson’s final release in this period was Red, arguably one of the band’s finest and most consistent and certainly one of my favourites. II In April 1981, Sounds magazine […]
AN EDGY GENTLEMAN (2)
The delay and decay guitar experiments Robert Fripp used as the foundation for God Save The Queen / Under Heavy Manners were recorded in 1979, with the album being released in January 1980. A couple of months later, Fripp started rehearsing a new band in—according to the back cover of the subsequent album—“a 14th century […]
THE KING HAS ABDICATED (1)
It was always worth checking out Allans sales. Although determinedly mainstream and totally in thrall to the hits of the day, the music shop occasionally ordered—and got stuck with—oddities, outliers and obscurities. These ended up in the SALE bins, usually at excellent prices. I loved those sales; you could take a punt of three or […]
ERUPTION DOWNUNDER
As has been related elsewhere, I met Black Sabbath, Uriah Heep and assorted seventies noise-makers in Rod Amberton’s bedroom. I also encountered a band less well-known outside these sunburned shores: the hard riffing Sydney band, Buffalo. Buffalo’s first two albums were popular amongst teenage boys of a certain age, and although I managed to find […]
VERTICAL PURPLE
The quest to unearth further 60s vertical gatefold album covers produced many nominations of 70s covers that do indeed open up in ‘portrait’ format, but only one addition from Sixties-land. The LP was the third Deep Purple release, their self-titled record from 1969. Many thanks to Arterrorist for the reminder. I say that because the CD […]
ANOTHER DAYBREAK (ART ON YOUR SLEEVE #4.1)
In a recent post, blog friend JDB of Augenblick introduced the famous Maxfield Parrish painting ‘Daybreak’ and we looked at a 1984 record by Dali’s Car that borrowed it for the cover. Here are two further eighties album covers inspired by Parrish’s iconic painting. BOBBY WOMACK — SO MANY RIVERS [1985] Bobby Womack was a […]
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